
Rahul Singh (John Abraham) has alone one affection in life: gambling. Beyond agreement ample wagers, the man has no added acceptation or acumen for his life; so he believes. After a huge acceptable one day and proposing to his adherent Nafisa (Sonal Chauhan), Rahul faints and is diagnosed with lung cancer. He again realizes that he wants to do abroad with his activity of gambling, easily over his accomplishment to his adherent and leaves for a beachside auberge area he wishes to absorb his aftermost few days. It is alone at his time in the auberge that he meets an arrangement of bodies who are all antagonism adjoin afterlife but administer to advise him admired activity lessons.
Is Aashayein Nagesh Kukunoor's best work? No, it isn't. Aashayein shouldn't be compared to Dor or Iqbal because it is a lot added sensitive. However, that said, Kukunoor's different appearance and beheading is evident. Such a bad-tempered accountable needs to be handled with accurate attention and it takes an abundantly accomplished administrator to be able to appear through. Aashayein makes you anticipate about activity and responsibilities in a added honest light. Kukunoor acutely understands that Indian audiences are awfully affecting back it comes to activity and death. With Aashayein, Kukunoor attacks the Indian affect and connects about instantly. Whether it's the calligraphy or the sentiments he is aggravating to emote, he manages to do that with acute attention and feeling.

The botheration with Aashayein is alone that genitalia of the calligraphy hams and is over the top. The dialogues are cheesy, banal and the tears aloof breeze from every angle. Affect in a blur should be subtle. In Aashayein, it is all about which eventually becomes affect overload. At credibility the blur borders and hovers over actuality far too fabulous authoritative it about unrealistic. It is this over the top caliber which brings bottomward the script. And again of course, the clip of the blur is far too slow. It moves from apathetic to slower as the afterlife of John's comes closer.
Aashayein is John Abraham's animated glory. The amateur becomes Rahul Singh with such adherence and perfectionism, it is unfathomable. John Abraham assuredly comes out with a achievement which absolutely exposes him as an actor. He makes you cry and feel the affliction he feels with immense emotion. And as abundant as the blur owns abundant melodrama, Abraham manages to advice the eyewitness discount the tear-factor. Finally, he has arrived. Sonal Chauhan shows promise. Anaitha Nair is one to watch out for. Farida Jalal is a disappointment however, as she hams a lot. The adolescent Ashwin Chitale is alarming as the active adolescent boy who manages to change the ascetic Rahul Singh.
In its totality, Aashayein is able and abounding with emotion. The botheration with the blur is simple: it is emotionally adopted and too slow. There are a cardinal of sequences which accomplish you cry and become afflicted with emotion. Aashayein should be watched at atomic once; abnormally back John Abraham has appear himself as actor...finally!
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